Ryan McGinley: Way Far
| Author | : | |
| Rating | : | 4.77 (940 Votes) |
| Asin | : | 0847846911 |
| Format Type | : | paperback |
| Number of Pages | : | 240 Pages |
| Publish Date | : | 2014-10-29 |
| Language | : | English |
DESCRIPTION:
"Way Far from amazing" according to Alyssa. This doesn't really live up to his earlier work for me. I think this series felt rather forced and maybe rushed in the creation. It doesn't feel nearly as intimate as Ryan's early work. I have been a big fan of Ryan since early in his career, but I feel like maybe it's time to move on. Some of the images are re. Beautiful Beautiful book. Couldn't have more love for McGinley's work. Well worth the price.. "Nostalgia" according to A. Nolan. At once austere, sumptuous, and vivacious.
From 1993 to 1999, he was an editor and writer for the New Yorker and, since 1997, has been a contributing editor at Artforum, writing also for Bookforum, Interview, Vogue Paris, frieze, Parkett, the New York Times, and Flash Art. . David Rimanelli began writing about art in 1988 and has chronicled developmen
"…the most important photographer in America…” —GQ magazine Since first coming to prominence 10 years ago, Ryan McGinley has ushered in a wholly new language of photography: images that are uniquely grounded in our contemporary moment while simultaneously evoking an idyllic timelessness. As one of the most critically acclaimed photographers working today and rightfully considered the voice of a generation, no other contemporary artist’s work has permeated pop culture this indelibly. McGinley was the first of his generation of artists to explore the nude figure within the American landscape. Transfixed by the open vistas and the picturesque wilderness he found along the way, McGinley and his models—not unlike explorers from another century—set out to rediscover these unpopulated spaces. With a fresh set of eyes, he embarked on an on-going series of images that were shot during months-long summer road trips cross-country. . Whether hiking on peat covered mountains, swimming in crystalline l
About the AuthorDavid Rimanelli began writing about art in 1988 and has chronicled developments in the New York art world for over two decades. From 1993 to 1999, he was an editor and writer for the New Yorker and, since 1997, has been a contributing editor at Artforum, writing also for Bookforum, Interview, Vogue Paris, frieze, Parkett, the New York Times, and Flash Art. He wrote some of the first articles on artists who are now influential figures, ranging from Cindy Sherman, Mike Kelley, Thomas Ruff, and Matthew Barney to Carol Bove and Nate Lowman.